John Colianni

John Colianni http://www.allaboutjazz.com/php/musician.php?id=5824

Born: January 7, 1963 Instrument: Piano

John Colianni grew up in the Washington, D.C. metro area and first heard Jazz on swing-era LP re-issues (Ellington, Goodman, Jimmie Lunceford, Count Basie, Armstrong, etc.) in his parents' home. A performance by Teddy Wilson in Washington attended by John when he was about 12 years old also left a strong impression, as did a Duke Ellington performance.

THE QUINTET

In 2006, looking for an outlet for his high velocity piano improvisations, John formed the John Colianni Quintet. In July 2007, the group recorded its first CD, Johnny Chops (Patuxent Records), which was released this year.

LES PAUL

Les Paul offered the piano spot in his group to John in August 2003. Les had not used a pianist in his combo since the 1950s and, in looking for suitable candidates, sought the advice of guitarist Bucky Pizzarelli, who recommended John. In Les Paul's recent autobiography, “Les Paul: In His Own Words,” Les writes an appreciative description of John's playing style and musical contributions to the re-vamped Les Paul Quartet. John is also seen and heard on the PBS documentary, “Les Paul: Chasing Sound.”

PIANO INSTRUCTION

Showing keyboard aptitude, a suitable teacher for John was sought by his parents. Local musicians recommended Les Karr, who, in addition to teaching, was well known as an outstanding pianist. Weekly lessons began in the eighth grade, when John was 14. Les Karr himself studied under Teddy Wilson at Juilliard in New York. Les was also the first cousin of pianist Dick Hyman. For John's lessons, Les emphasized technique and introduced studies of the Mathe' System, a method that advances digital dexterity and maximizes the capacity for speedy, high-velocity piano playing. John, noted for fleet “chops,” often cites the important role these exercises play.

AROUND WASHINGTON

Still in high school, John began playing piano professionally on the Washington, D.C. jazz scene, which, during that period, included a number of colorful jazz clubs such as The Pigfoot, Mr. Y's Gold Room, One Step Down, Blues Alley, The Bayou, The Famous Ballroom (Baltimore), Frankie Condon's (Rockville), and other establishments.

These were John's first performance venues, and he played among veteran D.C. musicians including Ella Fitzgerald's bassist, Keter Betts, who recruited 16-year-old John for the revue “Jazz Stars Of The Future.” Jazz Studies Director George Ross recruited John, still in tenth grade, to play regularly with the University of Maryland Jazz Ensemble.

THE DUKE

An event years earlier set the stage for John's interest in music. Duke Ellington, the most celebrated musician from Washington D.C. passed through town with his orchestra. A very young John was mesmerized and afterward presented Duke with the Ellington autobiography “Music Is My Mistress,” which Duke signed with a personalized message.
(Ellington is high on the list of pianists who have influenced John. Others include Oscar Peterson, Art Tatum, Erroll Garner, George Shearing, Count Basie and Teddy Wilson.)

TOURING WITH LIONEL HAMPTON

The Coliannis relocated to the Jersey Shore during John's senior year in high school. It was there that John caught the attention of Carlton Drinkard, former accompanist to the one and only “Lady Day” Billie Holiday. Drinkard assembled John's trio, and coached him in creating new arrangements and performing before live audiences.

Soon afterward, when he was 19, John visited Lionel Hampton backstage at an Atlantic City casino. He landed a spot in Hampton's orchestra and traveled and recorded for three years with Hampton and band members that included tenor sax great Arnett Cobb, saxists Paul Jeffrey and Tom Chapin, drummers Frankie Dunlop, Oliver Jackson and Duffy Jackson, bassists George Duvivier and Arvell Shaw, and others.

THELONIUS MONK PIANO COMPETITION

Not too long after the Hampton gig, John entered and won a cash prize in the first annual Thelonius Monk Piano Competition in 1987.

WITH MEL TORME

In the 1980s, John played a variety of gigs, including a stint with the New Orleans-inspired band of movie director/clarinetist Woody Allen. Allen's band played steadily at Michael's Pub in New York, and it was there that John came to the attention of Mel Torme, who was appearing at the same club. Hearing one of John's recordings through the venue's sound system, Torme' promptly hired John as his pianist--without an audition. John worked for Torme from early 1991 to mid 1995, touring and recording six albums.

Press Quotes:

Read what the jazz world has to say about John…
“Tremendous piano jazz … a phenomenal show stopper … technical skill, warmth, application and understanding.”

Jazz Journal International (London)
“He has a smooth, light-touch style. He flies easily through intricate right-hand melodic lines, and improvises on them, and roams the bass clef with his left hand, combining basic and offbeat rhythms with rich, melodic chord patterns. His left hand harmonic structures are most impressive.”

San Francisco Examiner
“Consummate piano virtuoso … truly individual voice … unerring sense of sophisticated swing.”

Jazz Times
“Colianni's sound and conception is American to the bone; from New Orleans boogie through to jump blues, stride and Basie swing, he not only knew them all but frequently sounded like he was playing all of them at once.”

The Guardian (England)
“He is the essence of a swinging pianist … a sudden flurry of complex runs can be finished before the listener is fully aware of what is happening.”

The New York Times
“Impeccably disciplined, a limitless cauldron full of ideas … eye-opening intensity … effortless swing - Tatumesque.”

Toronto Star
“The best you'll ever hear.”

Mel Torme
“The essence of a swinging pianist … a sudden flurry of complex runs can be finished before the listener is fully aware of what is happening.”

The New York Times
“Acoustic modernist absorbing the pianism of Art Tatum and Teddy Wilson.”

Jazziz
“A brilliant pianist, composer, arranger with exquisite taste, great technique, charming, witty, he has much to bring to the table” and he's got rhythm. Who could ask for anything more?”

Jimmy Woode, bassist with Duke Ellington
“Just dig it”

Lionel Hampton
“Intriguing, eclectic”

Billboard
ENGLISH ARTICLE TRANSLATION FROM GERMAN Neue Luzerner Zeitung November 11, 2008 By David Koch

Eleven pianists brilliantly open the “Piano Off-Stage.” They all played good, stylish jazz, but one swung above the others.

. . . “Piano Off-Stage” the piano festival in a festival. Eleven pianists . . . took part this year, and as an opener, each artist presented a short sample of his/her ability. . .
A Superb John Colianni . . . In the case of one of the artists, the crowd was appropriately great: John Colianni. This lion of the keyboard from America is the year’s big draw” a pianist equally at home in the concert hall. Followers of the jazz legends Oscar Peterson and Art Tatum have to be proficient. John Colianni certainly is” such harmonic and rhythmic finesse, paired with astounding technique. Superb! So equipped, his improvisation in the first teaser appearance through stride and swing was exemplary and nicely cool.”